Happy Day of the Dead

El día de los muertos with live Mexicans at Cosmo galería

 “For an inhabitant of New York, Paris or London, death is a word that is never spoken, because it burns the lips. The Mexican however is on good terms with her, sleeps with her, courts her; she is one of his favourite playthings and his most lasting love.”

Octavio Paz. The solitary labyrinth, 1961

The Mexican pursuit of death in all its cadaverous glory makes El Día de los muertos a colourful occasion and something that Barcelona (with its large Mexican and Latin American population) has been keen to get involved with in recent years.

Opening on 28th October, the cryptically titled exhibition, Día de Muertos will showcase the finest new artistic discoveries in the way of skulls, bones, flesh and flouro-folk art. As a testament to the nation’s obsession with death, this collective exhibition of live Mexicans will be looking death squarely in the eye, and (hopefully) surviving until 27th November.

The inauguration begins at 20:00, with complementary Mexican beer on tap. See you at the bar.

- Visit Cosmo Galería website here

C/Enric Granados 3

Brangulí was here - CCCB

This exhibition has already passed now, but I thought I'd add it anyway. It was really beautiful.

Brangulí. Barcelona 1909-1945 

7th June – 23rd October


Josep Brangulí (1879 – 1945) accompanied Catalunya throughout monumental socio-political changes during the first half of the twentieth century. During his impressive career as a documentary photographer, Brangulí gave equal weight to the ordinary and everyday as he did to significant historical events.


To photography buffs, he is comparable to the likes of Robert Doisneau and Henri-Cartier Bresson, French humanist photographers who enchanted us with their candid, inky black and white images of street-life. They brought us the decisive moment, the notion of capturing a split second in time through the lens – immortalising that moment forever, as if by an act of alchemy. 


Brangulí’s sensitivity towards his subjects bring us official portraits in formal environments; factory workers pause to stare into the lens, seamstresses work alongside their newborn babies and endless rows of school children study obediently at their desks. 


The timeless black and white images also offer us a powerful insight into an altogether mysterious Barcelona that would otherwise be unknown to us; of now-extinct Gitano neighbourhoods and celebrations-no-more, of lantern-lit watering holes staffed by elegant, be-suited waters; of primitive fire-engines, mummified nuns perched upright outside churches, Fascist marches and Nazi propaganda, of thick, black pools of blood in dark alleys and faded smudges of figures that almost eluded the camera’s immortal gaze completely.

The curators selected a mere three hundred photos from the archive of over a million images for the exhibition and created thematic blocks to make better sense of the broad areas of society, industry and politics that Brangulí covered. The exhibition runs until 23rd October and is a testament to the critical changes of Barcelona not to be missed.


- CCCB Contemporary Art Museum website

C/ MONTALEGRE, 5
08001 Barcelona

Halloween: the Antic Horror Picture Show

This Halloween prepare yourselves for short, sharp bursts of gore, blood and guts in the shape of a locally-produced, low budget cortometraje (short film) festival at the Antic Teatre. Straddling the Gotic/Borne district, the Antic Teatre is a hidden gem of cultured performance-art shows, and is one of the few real “creation” hubs in the centre of the city with an in-house theatre.

Whilst a bohemian/student crowd tends to frequent the beautiful hidden courtyard (graced by an ancient fig tree in its centre), the theatre itself is a space appreciated by a much wider demographic.

Expect all the trappings of your average B-rated horror movie: ridiculous titles, the eternal battle of good and evil, an overzealous use of ketchup and blood curdling shrieks of terror.

The show begins on 30th and 31st at 17:00-19:00, with an in-house band playing at 21:00 on 30th. Tickets are available on the door (price information unavailable, but expect them to be around 5€). Arrive early to secure seats.

- Visit Antic Teatre here

Beefeater in-Edit 2011

 

The Beefeater In-Edit festival has finally returned to Barcelona for its ninth edition, opening our eyes and ears to the world of music documentaries between 27th October and 6th November. In the arena for the opening ceremony are both music heavyweights and the creator of the Music Documentary genre, Michael Nyman – all expected to pack a strong punch at the 2011 event.


In his most recent, unfinished work, Michael Nyman In Progress, the attention of the camera is reversed onto himself as a refreshing study of filmmaker as artist behind the showreel. In doing so, Nyman sets the tone for the 2011 edition by encouraging us to consider the exceptional skill required by directors to create films for this genre.


“First and foremost,” comments Luis Hidalgo, the Artistic Director of the festival, “we give importance to the way the stories are interpreted, as opposed to star value of the artist”. He means what he says – although one film by Ray Davies may have filled cinema seats, it simply didn’t meet the rigorous quality requirements this year. And with this year’s festival boasting 45 newcomers to the world of the music documentary, there is certainly an impressive roster of new talent and fresh perspectives at our disposition.


There is undoubtedly something for everyone here, with films including Internationally renowned musicians David Bowie, Iggy Pop, Kings of Leon, Toots and the Maytals, Queen, Bob Dylan and Leonard Cohen on the silver screen for our enjoyment – not to mention the variety of other documentaries with the exploration of music at their core. 


The full programme is available to view online, tickets must be reserved in advance and are only available to buy from the website or at the ticket office on C/ Muntaner 24. Check website for details.


- Visit the Beefeater In-Edit website and programme here

good times

I can't believe it's been so long since my last post. things have been a bit busy over here....have been attempting to read and write alot more (fruits of those labours to be posted imminently), and after recently spending the last 30€ my september wage on notebooks alone, have decided it's in my best interest to self-impose a ban on the local stationer's. I am also now thee wisdom teeth lighter.

good times.

don't rain on my parade

lomo vs iphone

So I'm back in the UK again for a little while and over the last couple of weeks I've been hammering away at my old holga (holgywolgy, to be precise) and used about 10 rolls of film in Brighton and Cornwall. During this time his flash packed in and he almost fell apart, the poor thing......hadn't seen so much action for almost a year before this! I'm so excited to see the results.

The photos below aren't holga, however. I've gone over to the dark side and got an iphone. these are all digitally produced hipstamatic and/or instagram produced photos. 

i've been really enjoying getting to know my new baby but to be fair, feel a little bit guilty when i go out and leave poor little old beaten-up wolgy in the corner like an unwanted elderly relative. the holgy delights will obviously take a little while to develop and scan and all the rest of it.....which is why, i suppose, these photos are so satisfying to see NOW. I'm just another shameless product of GIMME NOW society. yip.

These were taken at Trebah gardens in Mawnan Smith, Cornwall. That's right, England really is this lush.

 

England

I'm back in England for a little while. I've fallen in love with the British countryside all over again.

archives

some very old photos i took...........
portraits of people doing what they do, much more my thing. I think it's pretty obvious.

Extreme sports festival - BCN

I went to the Extreme sports festival in Barcelona yesterday.

Taking photos with my D700 I learnt two things:

1. That f/5 is too high for sports photography....the background needs to be totally blurred when there is so much going on in the shot.

2. I definitely needed a speedlite flash (which was unfortunately stolen at a music festival last year).

not exactly my favourite type of photography, but loads of fun.

Here are a few of the shots. More on flickr too.